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Program: Henry VI, Part 1


present

THE PLAY ON FESTIVAL

at Classic Stage Company’s Lynn F Angelson Theater

Henry VI, Part 1

by William Shakespeare
In a modern verse translation
by Douglas P. Langworthy

Directed by: Leah C. Gardiner

Dramaturgs: Martine Kei Green-Rogers, Mead K. Hunter

Stage Manager: Katie Kennedy

Assistant Stage Manager: Suzanne K. Milton

Casting: Ada Karamanyan

Sound Design and Original Music by: Matt Callahan

Cast

Jordan Barbour
Charles, 2nd Messenger, John Talbot, Emissary

Mark Bedard
Reigner, Woodville, Somerset, General

Nat Cassidy
Exeter, 1st Servant, Sentinal, Suffolk

Bill Connington
Winchester, Burgundy, Mortimer

Shannon DeVido
York (Richard), Mayor, Messenger 1.4

Renata Friedman
Bastard, Officer, Henry

Michael Gabriel Goodfriend
Talbot, 3rd Messenger, Messenger iv.3

Jake Hart
Gloucester, Sergeant, Captain, Shepherd

Vanessa Kai
Alencon, Lawyer, Jailor, Margaret

Mia Katigbak
Bedford, 2nd Warden, Warwick

Diana O
 Joan, Basset

Zo Sakamoto
Vernon, Salisbury, 1st Messenger, Soldier, Sir Lucy

There will be one 15-minute intermission.

A short talkback with members of the creative team will take place immediately following the reading.

Originally commissioned by Oregon Shakespeare Festival as part of Play on! 36 playwrights translate Shakespeare.


The Play On Festival is supported by a generous grant from the Hitz Foundation.

 

All performers in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches. The use of cellular phones in the theater is prohibited by New York City law.

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Creative Team

Headshot Image for Douglas P. Langworthy

Douglas P. Langworthy

Playwright, Henry VI, Parts 1, 2, 3

Douglas Langworthy is the Literary Director at the Denver Center Theatre...

Douglas Langworthy is the Literary Director at the Denver Center Theatre Company where he has participated in the development of many plays and musicals, including the world premieres of Lauren Gunderson’s The Book of Will, Karen Zacarías’ Just Like Us, Octavio Solis’ Lydia, Michael Mitnick’s Ed, Downloaded, Lloyd Suh’s Great Wall Story and Jeffrey Haddow and Neal Hampton’s Sense and Sensibility: The Musical. Prior to Denver, Douglas served as Dramaturg and Director of Play Development at McCarter Theatre in Princeton, NJ for two years and Director of Literary Development and Dramaturgy at the Oregon Shakespeare Festival (OSF) for seven. While at OSF he developed a new adaptation of Dumas’ The Three Musketeers with Linda Alper and Penny Metropulos and a new translation of Brecht’s The Good Person of Szechuan, both for the 1999 season. In 2007 he again collaborated with Metropulos and Alper to write lyrics and book for the new musical Tracy’s Tiger, based on the novella by William Saroyan, with music by Sterling Tinsley. Douglas has translated over 15 plays from the German, including The Prince of Homburg and Penthesilea by Heinrich von Kleist, Spring Awakening by Frank Wedekind, and Medea by Hanns Henny Jahnn. He received a National Theatre Translation Fund Award for his translation of Amphitryon. He was also the dramaturg for Target Margin Theater in New York, which produced his translation of Goethe’s Faust. With Target Margin he also co-wrote the opera The Sandman, with text adapted from E.T.A. Hoffmann. He is currently adapting D.H. Lawrence’s Women in Love for the stage with Art Manke.

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Martine Kei Green-Rogers

Dramaturg, Comedy of Errors, Coriolanus, Henry VI Pt. 1, Two Noble Kinsmen

MARTINE KEI GREEN-ROGERS is an Assistant...

MARTINE KEI GREEN-ROGERS is an Assistant Professor at SUNY: New Paltz, a freelance dramaturg, and the President of the Literary Managers and Dramaturgs of the Americas.

Her dramaturgical credits include: The Greatest with the Louisville Orchestra, Fences and One Man, Two Guvnors at Pioneer Theatre Company; Clearing Bombs and Nothing Personal at Plan-B Theatre; the Classical Theatre Company’s productions of Uncle Vanya, Antigone, Candida, Ghosts, Tartuffe, and Shylock, The Jew of Venice; Sweat at the Goodman; productions of Radio Golf, Five Guys Named Moe, Blues for An Alabama Sky, Gem of the Ocean, Waiting for Godot, Iphigenia at Aulis, Seven GuitarsThe Mountaintop, Home, and Porgy and Bess at the Court Theatre; The Clean House at CATCO; Hairspray, The Book of Will, Shakespeare in Love, UniSon, Hannah and the Dread Gazebo, Comedy of ErrorsTo Kill A Mockingbird, The African Company Presents Richard III, A Midsummer Night’s Dream; and Fences at the Oregon Shakespeare Festival; 10 Perfect and The Curious Walk of the Salamander as part of the 2006 and 2007 Madison Repertory Theatre’s New Play Festival; and A Thousand Words as part of the 2008 WI Wrights New Play Festival.

She also works with the Great Plains Theatre Conference and is affiliated with NNPN.

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Mead K. Hunter

Dramaturg, Henry VI, Part 1, 2, 3

Mead K. Hunter launched his theater career as playwright in residence at...

Mead K. Hunter launched his theater career as playwright in residence at Storefront Actors Theatre in Portland, Oregon, and like most theater folk, went on to take a turn at nearly everything job description the field encompasses. He earned an MFA in Dramaturgy and Dramatic Criticism from Yale University and a PhD in Critical Studies from UCLA. He has taught performance history and text analysis at UCLA, UC San Diego, University of Iowa and the California Institute of the Arts. He also guest lectures on contemporary theater at institutions around the United States, and frequently consults for various art service organizations as well as commercial entities.

For 10 years he served as Director of Literary Programs for A.S.K. Theater Projects in Los Angeles where, among other duties, he commissioned many original scripts, including Naomi Iizuka’s 36 ViewsMayhem by Kelly Stuart, Marlane Meyer’s The Mystery of Attraction, and The Lively Lad by Quincy Long. While in L.A., he also curated the popular Common Ground Festival, which introduced numerous companies to the region including RedMoon Theater and Diavolo Dance Company.

From 2002-2009, Mead was Portland Center Stage’s Director Literary & Education Programs. While at PCS, he was the production dramaturg on many world premieres (including Celebrity Row by Itamar Moses, and Glen Berger’s O Lovely Glowworm), in addition to curating the company’s annual festival of new work. Beloved dramaturgical endeavors elsewhere include the world premieres of Sam Hunter’s The Whale at Denver Center, The Huntsmen (by Quincy Long) for Portland Playhouse, The Monster Builder (by Amy Freed) and Ithaka (by Andrea Stolowitz) for Artists Repertory Theatre, Amy Freed’s Shrew! at SCR’s Pacific Playwrights Festival, and of course getting to work with Doug Langworthy on the Henry VIplays for the Play On! project.

Today Mead is a professor in the Performing Arts Department of the University of Portland, where he teaches theater history, dramaturgy and script analysis, and recently directed Naomi Iizuka’s Good Kids. He is also an associate editor for Methuen Ltd., working currently on the forthcoming Methuen Guide to Contemporary Drama. Mead is especially proud to be the former artistic director of The New Harmony Project, a play development organization dedicated to supporting new works for performance that reflect the resilience of the human spirit.

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Leah C. Gardiner

Director

Leah C. Gardiner is an Obie Award-winning director known for the “incisive...

Leah C. Gardiner is an Obie Award-winning director known for the “incisive clarity” (The New York Times) of her work with physicality and text. She has overseen the premieres of two Pulitzer Prize finalists, Eisa Davis’ Bulrusher and Tanya Barfield’s Blue Door, as well as countless other new play workshops and productions by writers including debbie tucker greene, Dan Deitz, Anna Deveare Smith, Penelope Skinner, Regina Taylor and Roy Williams. Recent work: If Pretty Hurts Ugly Must Be a Muhfucka by Tori Sampson (Playwrights Horizons); and the premiere of Kevin Artigue’s Sheepdog (South Coast Rep). Upcoming: SPACE at Ryder Farm residence with New York Times best-selling writer and “Instapoet” Rupi Kaur to adapt her work for the theatre; and a commercial musical with book by Robert O’Hara, and producers George C. Wolfe and Warner Bros. Theatre Ventures. Other credits include: the national tour of Wit with Judith Light; Oregon Shakespeare Festival; The Public Theater; Manhattan Theatre Club; Atlantic Theater Company; Soho Rep; NYSAF; Arena Stage; ACT; Berkeley Rep; Alliance; Baltimore Center Stage; Studio Theatre; CATF; Houston Shakespeare Festival; Alabama Shakespeare Festival; Barrington Stage; Philadelphia Theatre Company; and Takarazuka (Japan). Education: B.A., University of Pennsylvania; M.F.A., Yale School of Drama. www.LeahCGardiner.com
Pronouns: she/her/hers

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Headshot Image for William Shakespeare (1564-1616)

William Shakespeare (1564-1616)

Playwright

Plays: All’s Well That Ends Well; Antony and Cleopatra;...

Plays: All’s Well That Ends Well; Antony and Cleopatra; As You Like It; The Comedy of Errors; Coriolanus; Cymbeline; Edward III; Hamlet; Henry IV, Parts One and Two; Henry V; Henry VI, Parts One, Two and Three; Henry VIII; Julius Caesar; King John; King Lear; Love’s Labor’s Lost; Macbeth; Measure for Measure; The Merchant of Venice; The Merry Wives of Windsor; A Midsummer Night’s Dream; Much Ado about Nothing; Othello; Pericles, Prince of Tyre; Richard II; Richard III; Romeo and Juliet; The Taming of the Shrew; The Tempest; Timon of Athens; Titus Andronicus; Troilus and Cressida; Twelfth Night; The Two Gentlemen of Verona; The Two Noble Kinsmen; The Winter’s Tale.

Poems: “Venus and Adonis,” “The Rape of Lucrece,” “The Phoenix and the Turtle,” Sonnets (154).

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Company

Headshot Image for Jordan Barbour

Jordan Barbour

New York: Mark Antony in Julius Caesar (TFANA); Spencer in Vertebrae (NYTW);...

New York: Mark Antony in Julius Caesar (TFANA); Spencer in Vertebrae (NYTW); Countee Cullen in Langston in Harlem (Urban Stages); Quinapalus/Zachary in The Deepest Play Ever (New Ohio); Tench/Aborigine/Caesar in Our Country’s Good (78th Street Theatre Lab); The Rev in Harmonious Pimps of Harmony (Ars Nova); Friar/Barnardine in Measure for Measure (Sage Theater); among others. Regional: Disney’s Beauty and the Beast, Oklahoma!, The Book of Will, The Wiz, Hamlet, Twelfth Night (Oregon Shakespeare Festival). All the Way, The 12 (Denver Center); Macbeth, To Kill a Mockingbird (Alabama Shakespeare Festival); Rent (Syracuse Stage), Stormy Weather (Pasadena Playhouse); The Who’s Tommy (Berkshire Theatre Festival); You’re a Good Man, Charlie Brown (Two River Theater Company); Yellowman, Hair, Topdog/Underdog, Yeast Nation (Perseverance Theatre); Chimerica (Studio Theatre); among others. Tour: Peter Brooks’ The Suit, The Shipment (North America, Europe, Asia, Australia). Film/TV/Web: The Outs, New York is Dead, Hair: Let the Sun Shine In. Training: Classical Voice at Juilliard; BA, Columbia University. Jordan has also written and starred in two solo shows: This African-American Life and I Definitely Need Therapy.

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Headshot Image for Mark Bedard

Mark Bedard

Off-Broadway: Trebonius/Cobbler in Julius Caesar (TFANA); Collins/Wickham/Ms....

Off-Broadway: Trebonius/Cobbler in Julius Caesar (TFANA); Collins/Wickham/Ms. Bingley in Pride & Prejudice (Primary Stages); Oberon/Lysander/Flute/etc in Midsummer Night’s Dream (The Pearl Theatre); Fashions for Men (Mint Theater)
Other New York: Hysterium in Forum (Geva Theatre); Bolingbroke in Richard II, Hortensio/Biondello/Merchant/etc in Taming of the Shrew, Major Andre in General From America, Touchstone in As You Like It, Provost in Measure for Measure, Autolycus in The Winter’s Tale, (Hudson Valley Shakespeare Festival)
Seven-year company member of Oregon Shakespeare Festival: Mr. Hammer (Groucho) in his own adaptation of The Cocoanuts; Captain Jeffrey T. Spaulding (Groucho again!) in Animal Crackers; Georg Nowak in She Loves Me; Truffaldino in Servant of Two Masters; Kewpie in Paradise Lost; King of Navarre in Love’s Labor’s Lost; Launcelot Gobbo in Merchant of Venice; Antipholus of Ephesus in Comedy of Errors; Biondello in Taming of the Shrew; Much Ado about Nothing; Midsummer Night’s Dream; Henry IV 2; and more
Other regional: The Cocoanuts (Guthrie); Roe (Arena Stage, Berkeley Rep); Posthumus in Cymbeline (Shakespeare Theatre Company); Robert in Boeing Boeing (Seattle Rep); Vladimir in Waiting for Godot (Marin Theatre); Berowne in Love’s Labour’s Lost, Mother Courage (Shakespeare and Company)
TV/Film: The Good Fight; Instinct; The Knick.
Education: UCIrvine www.markbedard.com

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Headshot Image for Nat Cassidy

Nat Cassidy

Nat Cassidy is an actor, playwright, screenwriter, novelist, and musician....

Nat Cassidy is an actor, playwright, screenwriter, novelist, and musician. Acting credits include “Blue Bloods” (CBS), “Bull” (CBS), “Quantico” (ABC), “The Good Fight” (CBS All Access), “The Following” (Fox), “The Affair” (Showtime), “Red Oaks” (Amazon) “High Maintenance” (original webseries), “Law & Order: SVU” (NBC), “Instinct” (CBS), theatrical productions both Off- and Off-Off-Broadway, and Lloyd in Gideon Media’s hit audiodrama “Steal the Stars.” Nat is the author of numerous award-winning horror plays which have been produced and developed across the country. His plays have been nominated for a combined total of 17 New York Innovative Theatre Awards, including 3 times for Outstanding Full-Length Script (which he won in 2009 for his play about Christopher Marlowe and Caligula, and in 2011 for Outstanding Solo Performance for his one man show about HP Lovecraft) and he was commissioned by The Kennedy Center to write the libretto for a world-premiere opera. Nat also wrote the novelization of the “Steal the Stars” podcast, which was published by Tor Books and named one of the best books of 2017 by both the Chicago Review of Books and NPR. Pancakes to K. www.natcassidy.com
Pronouns: He/him

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Headshot Image for Bill Connington

Bill Connington

Bill Connington: Selected credits: Zombie at Theater Row. Film: Zombie. Upcoming...

Bill Connington: Selected credits: Zombie at Theater Row. Film: Zombie. Upcoming indie film: Love, Repeat, a romantic dramedy; Poughkeepsie Is for Lovers. Graduate of London Academy of Music and Dramatic Art. Lecturer in Acting at Yale School of Drama. www.billconnington.com

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Headshot Image for Shannon DeVido

Shannon DeVido

TV: “Insatiable,” “Difficult People,” “Delco Proper,”...

TV: “Insatiable,” “Difficult People,” “Delco Proper,” “The Nightly Show with Larry Wilmore,” “Law and Order:SVU,” “Nightcap,” “Sesame Street”. Off-Broadway: Teenage Dick (World Premiere), The Healing (World Premiere), Still More of Our Parts, New Hopeville Comics. Film: The Homecoming, Good Beer. YouTube: Stare at Shannon. www.shannondevido.com

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Headshot Image for Renata Friedman

Renata Friedman

New York: Roundabout Theatre Company, Page 73, Colt Coeur, Clubbed Thumb...

New York: Roundabout Theatre Company, Page 73, Colt Coeur, Clubbed Thumb Winterworks, New Victory Theater, Aquila Theatre, INTAR. Regional: Over 25 productions including Yale Rep, Berkeley Rep, Seattle Rep, Milwaukee Rep, Humana Festival, Roundhouse, Barrington Stage Company, TheatreWorks, Actors Theatre of Louisville, ACT (Seattle), Intiman Theatre. New work development at Manhattan Theatre Club, New York Theatre Workshop, Bushwick Starr, Clubbed Thumb, LCT3, Playwrights Horizons, New Dramatists, etc. TV: FBI, New Amsterdam, Alternatino. Film: Protégé. www.renatafriedman.com

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Headshot Image for Michael Gabriel Goodfriend

Michael Gabriel Goodfriend

Michael has appeared in plays at regional theaters across the country including...

Michael has appeared in plays at regional theaters across the country including the Guthrie, Folger, Woolly Mammoth, Cincinnati Playhouse, Actors Theater of Louisville, Yale Rep and St. Louis Rep. He has performed extensively in New York with the Irondale Ensemble Project, 59E59 Theaters, Pecadillo Theater, Pearl Theater Company and more. He was a member of the Oregon Shakespeare Festival for five seasons and has made appearances on a few television shows and low budget films. He has written several plays, most notably “Dear Father”, a play about Franz Kafka, which was a semifinalist at the O’Neil Festival. He also wrote and produced for “Left Jab”, a weekly talk show that aired on Sirius XM Radio for nine years, and was a producer for “The Majority Report” on Air America Radio. MFA, Yale School of Drama. www.michaelgabrielgoodfriend.com
Pronouns: he/him/his

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Headshot Image for Vanessa Kai

Vanessa Kai

Off-Broadway: The Pain of My Belligerence (Playwrights Horizons); KPOP (Lortel...

Off-Broadway: The Pain of My Belligerence (Playwrights Horizons); KPOP (Lortel Nomination, Ars Nova/Ma-Yi Theater/Woodshed Collective); Henry VI: Shakespeare’s Trilogy in Two Parts (Drama Desk Nomination for Outstanding Revival of a Play, National Asian American Theater Company), Somebody’s Daughter (Second Stage); Architecture of Becoming (WP Theater). Select Regional: Top Girls (Huntington Theatre Company), Brownsville Song (B-Side for Tray) (Seattle Repertory Theatre), Far East (Award for Outstanding Debut by the Connecticut Critics Circle, Stamford TheaterWorks). TV: “New Amsterdam,” “Orange Is The New Black,” “Gotham.” www.vanessakai.com

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Headshot Image for Mia Katigbak

Mia Katigbak

Mia Katigbak has acted extensively with NAATCO, most recently in Henry VI,...

Mia Katigbak has acted extensively with NAATCO, most recently in Henry VI, Shakespeare’s Trilogy in Two Parts. Selected productions in NYC: The Trial of the Catonsville Nine (Transport Group); Recent Alien Abductions (PlayCo); Peace for Mary Frances (The New Group); Peer Gynt and the Norwegian Hapa Band (Ma-Yi); Dear Elizabeth (Women’s Project); Ivo van Hove’s Scenes From a Marriage (NYTW); A Beautiful Day in November…Great Lakes (New Georges/Women’s Project); Good Person of Szechwan (Foundry/Public Theater). Other NYC: Soho Rep, The Civilians, Target Margin, Clubbed Thumb, Intar, Pan Asian Rep. Regional: Long Wharf, Sharon Playhouse, the Humana Festival at the Actors Theater in Louisville, Two River Theater, Berkeley Rep, Swine Palace, and the Guthrie. International: Manila, Philippines and Abu Dhabi, UAE. She is the co-founder and Artistic Producing Director of NAATCO. Awards: Special Drama Desk, TCG Fox Foundation Resident Actor Fellow for Distinguished Achievement, Actors Equity Foundation’s St. Clair Bayfield for Best Supporting Role in a Shakespeare Play; Otto René Castillo Award for Political Theater; NYIT for Artistic Achievement; the Lily for Trailblazing; an Obie for performance (in NAATCO’s Awake and Sing!); Lucille Lortel and Lee Reynolds Awards (League of Professional Theatre Women); the Actors Equity’s Rosetta LeNoire Award. www.naatco.org

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Headshot Image for Katie Kennedy

Katie Kennedy

Stage Manager

Katie Kennedy is a West Virginia native. Since moving to New York, she has...

Katie Kennedy is a West Virginia native. Since moving to New York, she has worked on The Public Theater’s Mobile Unit (“A Midsummer Night’s Dream” and “The Tempest”), “Latin History for Morons”, “Throw Me on the Burnpile and Light Me Up”, “Wickedest Woman”, “Pedro Pan”, “The Review or How to Eat Your Opposition”, “Rent”, “Urinetown: The Musical”, “Bloody Bloody Andrew Jackson”, and “Camelot” at Lincoln Center’s annual gala.

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Headshot Image for Suzanne K. Milton

Suzanne K. Milton

Assistant Stage Manager

Suzanne K Milton (Assistant Stage Manager) is thrilled to be working on this...

Suzanne K Milton (Assistant Stage Manager) is thrilled to be working on this amazing project! Previous shows include, NYMF winner, “Pedro Pan,” “The Review or How to Eat your Opposition,” “Rent,” and “Le Nozze di Figaro.” She’s also been seen on stage in “Chicago,” “Sister Act, the Musical,” and “The Laramie Project.” www.suzannekmilton.com

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Headshot Image for Diana Oh

Diana Oh

Diana Oh is a multi-hyphenate Generative Artist — actor, singer, songwriter,...

Diana Oh is a multi-hyphenate Generative Artist — actor, singer, songwriter, director of their own work, maker of installations, performances, concerts, and parties, an open channel to the art that feels good to their body. Oh is a Refinery29 Top LGBTQ Influencer, the First Queer Korean-American interviewed on Korean Broadcast Radio, a Sundance Institute Fellow, TOW Fellow (Rattlestick Playwrights Theatre), Van Lier Fellow in Acting (Asian American Arts Alliance), Venturous Capital Fellow, Elphaba Thropp Fellow, writer with The Public Theatre’s Mobile Unit, and member of The Public’s Emerging Writers Group, Creator of CLAIRVOYANCE, a yearlong series with installations in Harvard Yard, the Boston Public Library, the Institute of Contemporary Art culminating into a concert and tree planting at the Harvard Arboretum with A.R.T, {my lingerie play}: Ten Underground Performance Installations in my lingerie staged in an effort to provide a safer and more courageous world for women, queer, trans, and non-binary humans to live in culminating into a concert, The Infinite Love Party: an intentional barefoot potluck dinner, dance party, and sleepover for QTPOC and Their Allies, Asian People Are Not Magicians on mic.com and stars as Devon in the YouTube Series Queering. The New York Times calls Oh “irreverent.” You can call her “friend.” www.dianaoh.co
Pronouns: they/she

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Headshot Image for Zo Sakamoto

Zo Sakamoto

Zo Sakamoto (pronouns: they, them, theirs) is a San-Francisco born, NYC based,...

Zo Sakamoto (pronouns: they, them, theirs) is a San-Francisco born, NYC based, Japanese-Jewish American queer gender-nonconforming actor/singer/mover/comic. They have been called “the biggest badass onstage,” “a gracefully athletic faerie,” and “endearingly twitchy,” in performances at Theatre Row, WP Theatre, NY’s Town Hall, Birdland Theatre, The Cherry Lane Studio, nationally, and onscreen, in roles of various genders, vulpine, spectral, swashbuckling, soul-sucking, prophetic, and punkish. Favorite performances include Atlas 2 in MJ Kaufman’s “Double Atlas,” at Playwright’s Realm, directed by David Mendizábal, Zo’s Birdland Theatre debut singing and playing guitar with Ring of Keys in “Queering the Stage,” Madhuri Shekar’s “Antigone Presented by the Girls of St. Catherine’s”, directed by Taylor Reynolds at WP Theatre (The Movement Theatre Company, Hypokrit Theatre), doing standup comedy in “Nasty Women+,” hosted by Amanda Duarte, Mac Rogers’ “Compelled Speech,” directed by Illana Stein, Juliet in Hypokrit Theatre’s “Romeo + Juliet,” directed by Molly Houlahan, and Cyrano in “Cyrano de Tinder,” written and directed by Jack Fellows. Zo plays guitar, piano, ukulele, and a bit of violin and drums, and cursorily speaks a handful of languages. Zo is a grateful member of Actors Equity, SAG-AFTRA, and Ring of Keys. www.zosakamoto.com

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Play On Festival Staff

Lue Douthit, Executive Director
Taylor Bailey, Producer
Summer Martin, General Manager
Sally Cade Holmes, Line Producer
Hannah Lang, Assistant Line Producer
Matt Hagemeier, Assistant Festival Producer
Emma Hogan, Script Supervisor
Ada Karamanyan, Casting
Blake Zidell and Associates, Press Representative
Gold Rush Creative, Marketing Consultation
Ligature Creative, Graphic Design

CSC Administrative Staff

John Doyle, Artistic Director
Toni Marie Davis, Chief Operating Officer/GM
Gina Cimmelli, Director of Audience Services
Phil Haas, Director of Marketing and Communications
Brendan McNamara, Assistant General Manager
Michael Mullen, Education Coordinator
Cassandra Nwokah, Executive Assistant
Oliver Pattenden, Director of Development
Megan Sover, Company Manager
Whitaker Gardner, Courtney Kuhbach, Board Operators
Emily Murphy, Megan Sover, Clarisse Van Kote, Box Office Associates
Alex Irish, Jarvis Griggs, Emily Murphy, Cassandra Nwokah, Megan Sover, House Managers